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Bach’s beloved work that would be freely available in the public domain.
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This openness made MuseScore the notation software of choice for the Open Goldberg Variations, a project to create a new, quality edition of J.S.
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The source code is available to everyone no one can take it away. What happened with Sibelius may happen with any other proprietary software, but cannot happen with MuseScore or LilyPond. Given the recent uproar in the Sibelius community about Avid closing the London office, it seems now more than ever appropriate to say that choosing free and open source software is the right thing to do. This is not possible with proprietary software like Sibelius, Finale, and Score. He anticipates that in a few years, “Musescore will have 80% of other notation software’s feature set on board.”Īnother long-term advantage is MuseScore’s open source status, says Bonte:Īnyone can look into the code, change it and distribute it further. Bonte also points out that when compared to the others, MuseScore is a fairly young piece of software. While Bonte admits that MuseScore is not yet as feature-complete as Sibelius or Finale, he highlights the price tag: MuseScore is completely free, while the others can run as much as $600. MuseScore 1.2 downloaded over 1 million times in 8 months! flic.kr/p/dxg33S This includes making the software available in new languages, fixing bugs, writing documentation, creating video tutorials, and so on. Its open source community now boasts more than 250 contributors adding to the project. Bonte credits the software’s newfound success to its extremely dedicated developers and early adopters.
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Now, over 5000 people download MuseScore every day. In 2008, Thomas Bonte and Nicolas Froment began to work on bringing the software to a wider audience. Until 2007, however, MuseScore was an obscure piece of software only available on Linux.
MuseScore started out in 2002 as a spinoff of MusE, an open source sequencer created by German developer and musician Werner Schweer. Whether they present robust alternatives for creating notation (MuseScore, LilyPond), or alternative ways of thinking about and deploying notation (Abjad, JMSL, INScore), each has its own advantages and its own dedicated following. None of them may have the same clout with professionals as Sibelius and Finale-yet-but many are gaining ground. In the meantime, there are a variety of other, lesser-known options for notation software already lurking out there. ThinkMusic, another newcomer, promises an iPad app in the near future, but has already generated controversy for seeming to use Sibelius in its video mockup. This may be about to change-with the news of Sibelius’s development team being unceremoniously dumped by Avid and subsequently scooped up by Steinberg, we may have a third variable to add to that equation. It’s often taken as a given that if you write music professionally, you’re already using one of these popular notation software packages. “Finale or Sibelius?” is a question that composers love to ask other composers.
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